文化藝術人物 / Cultural figure

張之亮

Jacob Cheung Chi-leung

1987年至今

領域:藝術家 · 作家與觀點論述者

繁體中文

張之亮(Jacob Cheung Chi-leung),1959年9月6日在香港出生,原籍廣東順德,是電影導演、編劇及監製,畢業於無綫電視第十期藝員訓練班,早年從事電視編劇及製作。1988年,他推出首部電影《中國最後一個太監》,憑此片獲第8屆香港電影金像獎最佳導演提名及第2屆東京國際電影節青年導演提名。1989年的《飛越黃昏》以黃昏戀為題,奪得第9屆香港電影金像獎最佳電影及最佳編劇。1992年的《籠民》以香港籠屋為背景,以群像方式呈現低下層生活,把居民日常與官僚制度的冷漠並置,一舉贏得第12屆香港電影金像獎最佳電影、最佳導演及最佳編劇三項大獎,成為他的代表作。1993年他執導《搶錢夫妻》;1997年的《自梳》寫女性情誼;1999年的《流星語》由他聯同爾冬陞等約二十位導演組成的「創意聯盟」出品,張國榮象徵式收取一元片酬主演並兼任製片人,為亞洲金融風暴後低迷的市道打氣。2006年的《墨攻》改編自日本漫畫,談墨家思想與戰爭,由劉德華主演;2011年的《肩上蝶》則以奇幻包裝人文故事。2026年,香港電影資料館「星級影談」系列由他親自選出六部作品放映,而《籠民》的4K修復版亦於台北電影節「經典重現」單元放映。他的作品多聚焦弱勢社群與社會邊緣人,在商業與文藝之間取得平衡。他早年在新藝城任《少爺威威》製片助理及《上天救命》製片,其後轉到寶樂公司,參與《殭屍先生》(1985)及《最後一箭》的策劃工作;其執導作品還包括《等著你回來》、《仙樂飄飄》、《慌心假期》及《車票》等。

English

Jacob Cheung Chi-leung was born in Hong Kong on 6 September 1959, with ancestral roots in Shunde, Guangdong. He trained in TVB's tenth acting class and worked for years in television writing and production. His first feature as director, 'Lai Shi, China's Last Eunuch', was released in 1988 and earned him a Best Director nomination at the 8th Hong Kong Film Awards and a young-director nomination at the 2nd Tokyo International Film Festival. His 1989 film 'Beyond the Sunset', about romance in later life, won Best Film and Best Screenplay at the 9th Hong Kong Film Awards. His 1992 'Cageman', set among Hong Kong's cage homes, uses an ensemble to portray the urban underclass and sets the residents' daily lives against institutional indifference; it swept Best Film, Best Director and Best Screenplay at the 12th Hong Kong Film Awards and remains his signature work. He directed a 1993 comedy and the 1997 'Intimates', which follows a bond between women. His 1999 feature 'The Kid' was released by the Creative Alliance he formed with about twenty directors including Derek Yee, and starred Leslie Cheung, who took a token one-dollar fee and also produced, in a gesture to lift the ailing post-crisis film market. In 2006 his 'A Battle of Wits', adapted from a Japanese manga about Mohist thought and war and starring Andy Lau, showed his taste for history and ideas, and 'Rest on Your Shoulder' (2011) wrapped a human story in fantasy. In 2026 the Hong Kong Film Archive screened six of his films chosen by him, and a 4K restoration of 'Cageman' was shown at the Taipei Film Festival. Cheung's films consistently focus on the disadvantaged and the socially marginalised while balancing commercial and artistic demands. Earlier in his career he worked at Cinema City as an assistant producer and producer, and later as a planner at Bo Ho Company on films including 'Mr Vampire' (1985), and his directing credits also include a number of features through the 1990s and 2000s.

人物小檔 Profile

職業Occupation

導演、編劇、監製

年期Active period

1987年至今

代表作Notable works

《籠民》《飛越黃昏》《墨攻》

獎項及榮譽Awards & honours

第9屆香港電影金像獎最佳電影、最佳編劇(《飛越黃昏》);第12屆最佳電影、最佳導演、最佳編劇(《籠民》)

資料整理日期 / Compiled: 2026-09-12

主要成就 Key Achievements

1988

推出首部電影《中國最後一個太監》,獲第8屆香港電影金像獎最佳導演提名及第2屆東京國際電影節青年導演提名。

Released his first feature, 'Lai Shi, China's Last Eunuch', earning a Best Director nomination at the 8th Hong Kong Film Awards and a young-director nomination at the 2nd Tokyo International Film Festival.

1990

《飛越黃昏》奪第9屆香港電影金像獎最佳電影及最佳編劇。

'Beyond the Sunset' won Best Film and Best Screenplay at the 9th Hong Kong Film Awards.

1993

《籠民》奪第12屆香港電影金像獎最佳電影、最佳導演及最佳編劇。

'Cageman' won Best Film, Best Director and Best Screenplay at the 12th Hong Kong Film Awards.

影響與傳承 Impact & Legacy

繁體中文

張之亮以《籠民》等寫實作品,把籠屋住戶、長者與邊緣階層的處境帶入主流銀幕。他在類型片主導的市道下守住文藝路線,作品多次獲香港電影金像獎肯定,其社會寫實取向影響了九十年代一眾香港導演。

English

Through realistic works such as 'Cageman', Cheung brought cage-home dwellers, the elderly and marginal groups into mainstream cinema. Holding an art-house line amid a market dominated by genre films, with repeated Hong Kong Film Awards recognition, his social-realist approach influenced a generation of Hong Kong directors in the 1990s.

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