繁體中文
新馬師曾(1916年6月20日—1997年4月21日),原名鄧永祥,暱稱「新馬仔」、「祥哥」,廣東順德人,香港粵劇及電影演員、粵曲演唱家、慈善家,MBE。他八歲時父母離異,其父鄧祺以賭為生且嗜好粵劇,母親羅蓮離異後隻身到香港當傭工,留在家中的鄧永祥常遭庶母苛待,終於離家流浪街頭。1925年,年僅九歲的他獲江湖藝人收留學藝,在茶座表演時獲老行尊何世杞賞識,轉介到何壽年門下受傳統功架訓練,成績大進,十歲已在利舞臺戲院登台,並與生母相認;因模仿名伶馬師曾維肖維妙,師傅為他改名「新馬師曾」。十一歲他以「太平統一」名義到汕頭演戲,初踏台板即被譽為「神童」。此後他參加多個劇團並曾自組「玉馬男女劇團」,又隨薛覺先學藝,並赴上海觀摩京劇名伶林樹森、蓋叫天。他的唱腔博取眾長,曾汲取名伶小明星的南音技巧,又把京劇的運腔融入粵曲,自成一格的唱腔被稱為「新馬腔」,以中氣雄渾、吐字有力見稱;他身材雖瘦小,卻擅演關公戲,且對京劇頗有研究。他自1930年代起活躍於省港粵劇舞台,並主演大量粵劇與戲曲電影,如《萬惡淫為首之乞食》、《光緒皇夜祭珍妃》、《臥薪嘗膽》、《客途秋恨》等;1950年代是他電影事業的高峰,主演戲曲片包括《兩個傻英雄》等。1936年他加入中國國民黨,抗日戰爭期間曾下鄉義演勞軍;1954年,蔣中正曾親函並附玉照託人送贈,表彰其義演行動。他一生熱心公益,自1950年起每年為東華三院義唱籌款,至1994年病重為止從未間斷,又長期參與無綫電視《歡樂滿東華》電視籌款,以乞食、祭珍妃等名曲作壓軸,故有「慈善伶王」之譽。1994年他捐出一百萬港元支持廣華醫院增設腎科服務,院方其後把擴建的腎科病房命名為「新馬師曾腎科病房」。1953年香港八和會館成立,他獲推舉為首屆主席,其後連任多屆。1950年代他多次獲讀者票選為「文武生王」,並於《華僑晚報》十大明星選舉中十四度當選。1977年獲英國牛津大學頒授名譽藝術博士,1978年獲英女王頒授MBE勳銜,1979年再獲中華民國僑務委員會頒贈海宣獎章。晚年他健康轉差,1997年1月因支氣管炎、肺積痰及心臟病入院,留醫109天後於4月21日病逝,終年80歲,遺體安葬於將軍澳華人永遠墳場;他逝世後,名下包括永祥大廈及酒樓等遺產引致家族長年爭產訴訟。他一生灌錄大量粵曲唱片,並參演逾百部電影,把舞台上的名曲帶到銀幕與電台,令更多市民認識粵劇;「新馬腔」也影響不少粵劇後輩。1990年代初他雖體弱,仍不時應邀在公開場合獻唱,直至1994年才因病情而停下。2003年,東華三院在廣華醫院大堂豎立「慈善伶王新馬師曾先生」半身銅像,以供公眾緬懷其公益貢獻。
English
Sun Ma Sze Tsang (20 June 1916 – 21 April 1997), born Tang Wing-cheung and nicknamed 'Sun Ma Jai' or 'Brother Cheung', was a Cantonese opera and film actor, operatic singer and philanthropist from Shunde, Guangdong, and an MBE. His parents separated when he was eight; his father Tang Kei earned a living by gambling and was a keen opera fan, his mother Lo Lin left to work as a domestic servant in Hong Kong, and the boy, left at home, was ill-treated by his stepmother and eventually ran away to live on the streets. In 1925, aged nine, he was taken in by itinerant performers; spotted by the veteran Ho Sai-kei while singing in teahouses, he was sent to study under Ho Shau-nin, and after rigorous training in traditional form was performing at the Lee Theatre by the age of ten, where he was reunited with his mother. Because he imitated the famous actor Ma Sze-tsang so convincingly, his master renamed him Sun Ma Sze Tsang. At eleven he performed in Shantou under the banner 'Tai Ping Tung Yat' and was hailed as a child prodigy. He went on to join many troupes and at one point ran his own Yu Ma male-and-female company, studied under Sit Kok-sin and travelled to Shanghai to watch the Peking opera stars Lin Shusen and Gai Jiaotian. Drawing widely, he absorbed the nan-yin style of the singer Siu Ming-sing and blended Peking opera vocal technique into Cantonese opera to create his own distinctive 'Sun Ma style', noted for powerful breath control and clear enunciation; though slight of build, he specialised in the operas of Lord Guan and knew Peking opera well. Active on the Cantonese opera stage from the 1930s, he also starred in many operas and opera films such as The Beggar's Aria from All Evil Begins with Lust, The Yongzheng Emperor's Night Sacrifice to Consort Zhen, Sleep on Brushwood and Taste Gall and Autumn Grief at the Ferry; the 1950s were the peak of his film career, including the opera film Two Silly Heroes. He joined the Kuomintang in 1936 and sang for the troops during the war against Japan; in 1954 Chiang Kai-shek wrote to him personally with a photograph in recognition of those performances. From 1950 he sang at annual fundraisers for the Tung Wah hospitals without a break until illness confined him in 1994, and for many years his arias closed the televised charity gala Tung Wah Charity Show, earning him the title of the charitable opera king. In 1994 he donated one million Hong Kong dollars to Kwong Wah Hospital to help establish renal services, and the expanded renal ward was named after him. In 1953, when the Chinese Artists' Association of Hong Kong was founded, he was elected its first chairman and served several terms. In the 1950s readers repeatedly voted him the leading male role, and he was chosen among the top ten Cantonese film and opera stars fourteen times in the Wah Kiu Yat Po poll. He received an honorary doctorate of arts from the University of Oxford in 1977, an MBE in 1978 and a further medal from the Overseas Chinese Affairs Commission in 1979. In declining health in later years, he was admitted in January 1997 with bronchitis, pneumonia and heart disease and died on 21 April 1997 after 109 days in hospital, aged 80; he was buried in the Chinese Permanent Cemetery in Tseung Kwan O, and a long family dispute over his estate, including the Wing Cheung Building and restaurants, followed. In 2003 the Tung Wah Group erected a bronze bust of him in the lobby of Kwong Wah Hospital.