文化藝術人物 / Cultural figure

楊凡

Yonfan

1973年至今

領域:藝術家

繁體中文

楊凡(Yonfan,1947年-),原名楊曼石,祖籍湖南衡山,生於湖北漢口(今屬武漢),幼年移居台灣,十六歲來港讀完中學,其後赴美國及歐洲修讀電影與攝影。1973年他返港從事攝影,尤擅人像,1978年出版攝影集《一個攝影師鏡下的巴黎》,1980年再出《少年遊:楊凡攝影中國》,1983年出版《楊凡十年》,1991年又出版人像集《楊凡:一個中國人的肖像》。1984年他自編自導首部電影《少女日記》,其後以不同類型的女性為題材,拍出《玫瑰的故事》(1986)、《流金歲月》(1988)、《海上花》(1986)等片,其中《玫瑰的故事》由周潤發、張曼玉主演。他亦以唯美影像見稱,曾憑《游園驚夢》奪第21屆香港電影金像獎最佳服裝造型設計。1995年《妖街皇后》入圍第62屆柏林影展全景單元;1998年《美少年之戀》由吳彥祖、馮德倫主演,探討同性戀議題,獲第35屆金馬獎最佳藝術指導提名;2001年《游園驚夢》由王祖賢與宮澤理惠主演,融入崑曲元素,其後他拍成崑曲紀錄片《鳳冠情事》(2003)及崑曲短片《韻》、《律》(2013)。2009年《淚王子》入圍第66屆威尼斯影展主競賽。2019年,他歷時七年製作的動畫長片《繼園臺七號》入圍第76屆威尼斯影展主競賽並奪得最佳劇本獎,同年獲第56屆金馬獎最佳動畫長片;該片以動畫重構六十年代香港,入選多個國際影展。他多年來自撰所有執導作品,亦以攝影師、美術指導等身分參與製作,其唯美風格在華語影壇自成一格。

English

Yonfan was born in 1947 in Hankou, Hubei, his family rooted in Hengshan, Hunan; originally named Yang Man-shih, he moved to Taiwan as a child and came to Hong Kong at sixteen, finishing secondary school before studying film and photography in the United States and Europe. He returned to Hong Kong in 1973 and became well known as a photographer, especially of portraits, publishing a collection of Paris photographs in 1978, a China collection in 1980, Ten Years of Yonfan in 1983 and a portrait collection in 1991. In 1984 he wrote and directed his first feature, A Certain Romance, and went on to make films centred on different kinds of women, including Lost Romance (1986), Last Romance (1988) and Immortal Story (1986); Lost Romance starred Chow Yun-fat and Maggie Cheung. Noted for painterly imagery, he won Best Costume and Make-up Design at the 21st Hong Kong Film Awards for Peony Pavilion. His Bugis Street competed in the Panorama section of the 62nd Berlin Film Festival in 1995; his 1998 Bishonen, starring Daniel Wu and Stephen Fung, explored homosexuality and was nominated for Best Art Direction at the 35th Golden Horse Awards; and the 2001 Peony Pavilion, with Joey Wong and Rie Miyazawa, wove in Kunqu opera, after which he made the Kunqu documentary Breaking the Willow (2003) and the Kunqu shorts Yun and Lu (2013). In 2009 Prince of Tears competed at the 66th Venice Film Festival, and in 2019 his animated feature No. 7 Cherry Lane, seven years in the making, competed at the 76th Venice Film Festival, where it won the Best Screenplay award; it also took Best Animated Feature at the 56th Golden Horse Awards, and recreates 1960s Hong Kong in animation. He has written all his directorial works over the years and also worked as photographer and art director, his aesthetic style setting him apart in Chinese-language cinema.

人物小檔 Profile

職業Occupation

導演、攝影師、監製

年期Active period

1973年至今

代表作Notable works

《美少年之戀》《游園驚夢》《繼園臺七號》

獎項及榮譽Awards & honours

威尼斯影展最佳劇本獎(2019)、金馬獎最佳動畫長片(2019)

資料整理日期 / Compiled: 2026-09-12

主要成就 Key Achievements

1984

自編自導首部電影《少女日記》。

Wrote and directed his first feature, A Certain Romance.

1998

執導《美少年之戀》,由吳彥祖、馮德倫主演,探討同性戀議題。

Directed Bishonen, starring Daniel Wu and Stephen Fung, exploring homosexuality.

2019

《繼園臺七號》獲威尼斯影展最佳劇本獎,並奪第56屆金馬獎最佳動畫長片。

No. 7 Cherry Lane won the Best Screenplay award at the Venice Film Festival and Best Animated Feature at the 56th Golden Horse Awards.

影響與傳承 Impact & Legacy

繁體中文

楊凡以唯美影像與對性別、慾望的探索見稱,作品在香港影壇別樹一格。他早年以人像攝影成名,其後把那種構圖帶進電影,自編自導之餘亦兼任美術與造型;晚年歷時七年的動畫《繼園臺七號》把香港六十年代的回憶化成流動的畫卷,並在威尼斯與金馬獲得肯定。

English

Yonfan's painterly imagery and his exploration of gender and desire gave Hong Kong cinema a distinct voice, while his animated No. 7 Cherry Lane turned 1960s Hong Kong memory into moving pictures, winning recognition at Venice and the Golden Horse Awards.

同類人物 Same category

仲有 763 位同界別人物未列出;睇晒 文化藝術人物 全部名單 →

資料來源 Sources

← 返回人物目錄

↑