文化藝術人物 / Cultural figure

楊采妮

Charlie Yeung

1992年至1997年;2003年至今

領域:藝術家

繁體中文

楊采妮(Charlie Yeung),1974年5月23日在台北縣三重市(今新北市三重區)出生,父親是籍貫上海的香港人,母親是台灣人,三歲隨家人移居香港,就讀德望學校,十五歲赴美國升學,三年後回港發展。1992年,她因與郭富城合拍謝瑞麟珠寶廣告而為人認識,憑清純形象成為Yes!Card的熱門收藏對象,被傳媒稱為「閃卡皇后」,其後又演出多位歌手的音樂錄影帶。1993年,她參與王家衛執導的《東邪西毒》,同年簽約EMI,年底推出首支粵語歌《不會哭於你面前》及首張粵語唱片《愛的感覺》,奪得該年度十大勁歌金曲最受歡迎新人獎金獎。1994年,她與吳奇隆合演徐克的《梁祝》,主唱電影主題曲,成為九十年代愛情片經典;同年再奪叱咤樂壇生力軍女歌手金獎,並推出《初戀》EP及白金唱片《毋忘我》,被稱為「玉女接班人」。1995年她推出首張國語專輯《笑著流淚》,打開台灣市場,電影方面亦演出《墮落天使》《自梳》等。1997年,她突然宣布引退,與新加坡籍男友邱韶智在馬來西亞經營形象顧問公司;2003年公司倒閉、兩人分手後,她全面復出拍片,演出《新警察故事》《七劍》《父子》《寒戰》等,由偶像派轉型演技派。她花三年寫成的首個劇本《聖誕玫瑰》,2009年獲第七屆香港亞洲電影投資會卓越劇本獎;2013年,由她監製兼執導的同名電影《聖誕玫瑰》上映,由徐克、張之亮監製。同年11月30日,她憑主演電影《37》獲亞洲國際青少年電影節「傑出演員大獎」。2011年她與邱韶智復合,2013年結婚,婚後定居新加坡,2017年誕下雙胞胎兒子。她亦長期擔任明愛、奧比斯及聯合國兒童基金會大使,並與梁詠琪、許茹芸、李心潔成立小黃花慈善教育基金。

English

Charlie Yeung, born in Sanchong, Taipei County (now New Taipei City) on 23 May 1974 to a Shanghai-born Hong Kong father and a Taiwanese mother, moved to Hong Kong at the age of three, attended Good Hope School and left for the United States at fifteen before returning to Hong Kong. She came to public notice in 1992 in a TSL jewellery advertisement with Aaron Kwok, and her innocent image made her a sought-after subject of Yes!Card collectible cards and earned her the nickname "Queen of Flash Cards"; she also appeared in music videos for several singers. In 1993 she acted in Wong Kar-wai's Ashes of Time, signed to EMI and at the end of the year released her first Cantonese song and debut album, The Feeling of Love, winning the most popular new artist gold award at the Jade Solid Gold awards. In 1994 she starred with Nicky Wu in Tsui Hark's The Lovers and sang its theme song, a defining romance of the decade; the same year she won the Ultimate Song Chart gold award for best new female singer and released the EP First Love and the platinum album Forget Me Not, becoming known as the "successor to the jade girl". In 1995 she released her first Mandarin album, which opened up the Taiwanese market, and appeared in films such as Fallen Angels and Intimates. In 1997 she abruptly retired to run an image consultancy in Malaysia with her Singaporean boyfriend Yau Siu-chi; after the business collapsed and the couple split in 2003 she returned to acting with New Police Story and went on to Seven Swords, After This Our Exile and Cold War, moving from teen idol to serious actress. Her first screenplay, Christmas Rose, written over three years, won the outstanding script prize at the 7th Hong Kong-Asia Film Financing Forum in 2009, and in 2013 the film she produced and directed was released, with Tsui Hark and Jacob Cheung as producers. On 30 November 2013 she won the outstanding actor award at the Asian International Youth Film Festival for her leading role in 37. She reunited with Yau in 2011 and married him in 2013, settling in Singapore, and in 2017 gave birth to twin sons. She has long served as an ambassador for Caritas, ORBIS and UNICEF and co-founded the Little Yellow Flower Education Foundation with Gigi Leung, Valen Hsu and Angelica Lee.

人物小檔 Profile

職業Occupation

演員、歌手、導演

年期Active period

1992年至1997年;2003年至今

代表作Notable works

《梁祝》、《東邪西毒》、《寒戰》、《聖誕玫瑰》(編劇、導演)

獎項及榮譽Awards & honours

叱咤樂壇生力軍女歌手金獎(1994)、《聖誕玫瑰》獲香港亞洲電影投資會卓越劇本獎(2009)

資料整理日期 / Compiled: 2026-09-12

主要成就 Key Achievements

1993

推出首張唱片《愛的感覺》,憑《不會哭於你面前》等歌奪得十大勁歌金曲最受歡迎新人獎金獎。

Released her debut album The Feeling of Love, whose songs won her the most popular new artist gold award at the Jade Solid Gold awards.

1994

與吳奇隆合演《梁祝》,成為九十年代香港愛情片經典;同年奪叱咤樂壇生力軍女歌手金獎。

Starred with Nicky Wu in The Lovers, a defining 1990s Hong Kong romance, and won the 1994 Ultimate Song Chart gold award for best new female singer.

2013

由她監製兼執導的《聖誕玫瑰》上映,由徐克、張之亮監製。

Her directorial debut Christmas Rose, which she also produced, was released, with Tsui Hark and Jacob Cheung as producers.

影響與傳承 Impact & Legacy

繁體中文

楊采妮由偶像歌手轉型演技派,再轉做編劇與導演,示範了九十年代香港明星的一條跨界路徑;《聖誕玫瑰》以性侵受害人為題,在以商業片為主的港產片環境中,屬少見的女性議題書寫。

English

Yeung moved from pop idol to serious actress and then to screenwriter and director, tracing one of the cross-disciplinary paths open to 1990s Hong Kong stars. With its focus on a victim of sexual assault, Christmas Rose was a rare piece of women's-issue storytelling in a Hong Kong cinema dominated by commercial genres.

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