文化藝術人物 / Cultural figure

胡鵬

Wu Pang

1909–2000

領域:藝術家 · 作家與觀點論述者

繁體中文

胡鵬(1909–2000),祖籍廣東順德,在上海出生及成長,是香港電影史上產量最多的導演之一。他中學畢業後受僱於上海的「北京大戲院」,任職文員,並負責翻譯西片的中文字幕,因沉迷電影導演藝術而潛心自學,1931年正式投身電影工作。1930年代中後期他來港,先後在國家片場等公司工作,早年主要拍攝文藝片,並拍過由唐滌生編劇的作品,首部執導作品為《夜送寒衣》(1938)。1949年,他把粵劇名伶關德興從新加坡請回香港,開拍《黃飛鴻正傳上集之鞭風滅燭》及下集《火燒霸王莊》,由關德興飾演黃飛鴻、石堅飾演反派,把南派「硬橋硬馬」的真功夫搬上銀幕,一改以往北派舞台式的武打表演,兩人一正一邪的對打成為系列招牌,掀起延續數十年的功夫片熱潮。他一生執導近二百部電影,其中黃飛鴻系列達五十多部,是系列中執導數量最多的導演,較為人熟悉的還有《黃飛鴻花地搶炮》、《黃飛鴻義貫彩虹橋》等,把黃飛鴻由民間傳說塑造成家喻戶曉的銀幕英雄。除功夫片外,他亦拍過不少文藝片與時裝片,1958年更與峨嵋影片公司合作,把金庸當時仍在報上連載的《射雕英雄傳》率先搬上銀幕。他亦改編《火燒少林寺》、《醉俠蘇乞兒》等題材,並在1940至1950年代的港產片高產期一年執導多部影片,戲路從民間傳奇到現代寫實都有涉獵。為拍攝這批功夫片,他組織了專屬的武打班底「胡家班」,長期與關德興、石堅等演員合作;他執導的《黃飛鴻》片集其後被列入「最長壽電影系列」的健力士世界紀錄。1983年起,他出任香港電影製片家協會主席。1993年,他出版回憶錄《我與黃飛鴻》,記述拍攝系列五十年的經歷;1999年,他獲第4屆香港電影金紫荊獎終身成就獎。2000年3月26日,他在香港辭世。

English

Wu Pang (1909–2000) was born and raised in Shanghai to a family from Shunde, Guangdong, and became one of the most prolific directors in Hong Kong film history. After secondary school he worked as a clerk at a Shanghai cinema, translating the Chinese subtitles of foreign films, and taught himself film direction before entering the industry in 1931. He came to Hong Kong in the mid-to-late 1930s and worked at the National Studio and other companies; his early films were mostly dramas, some written by the Cantonese opera playwright Tong Tik-sang, and his first directing credit was Night Delivery of Winter Clothes (1938). In 1949 he brought the Cantonese opera star Kwan Tak-hing back from Singapore to make The Story of Wong Fei-hung (Part One): Whip Against the Candle and its companion Part Two: Burning the Tyrant's Manor, with Kwan as the hero and Shek Kin as the villain; their grounded southern-style duels replaced the stage-like northern swordplay of earlier films and became the series trademark, setting off a kung fu craze that lasted decades. He directed nearly two hundred films, more than fifty of them Wong Fei-hung instalments — more than any other director — including such well-known titles as How Wong Fei-hung Seized the Cannon at Fa Tei and How Wong Fei-hung Righted the Rainbow Bridge, turning the folk hero into a household name on screen. Besides kung fu films he made many dramas and contemporary pictures, and in 1958 he worked with the Emei Film Company to bring Jin Yong's then-serialised The Legend of the Condor Heroes to the screen, while also filming subjects such as Burning of Shaolin and the Drunken Hero Su Qi-er. In the high-output years of the 1940s and 1950s he directed several films a year, ranging from folk legends to modern realism, and organised his own stunt team, the Wu Clan, working for years with actors such as Kwan Tak-hing and Shek Kin. His Wong Fei-hung series was later entered in the Guinness World Records as the longest-running film series. From 1983 he chaired the Hong Kong Motion Picture Producers Association. His 1993 memoir I and Wong Fei-hung recounted five decades of the series, and in 1999 he received the Lifetime Achievement Award at the 4th Hong Kong Golden Bauhinia Awards. He died in Hong Kong on 26 March 2000.

人物小檔 Profile

職業Occupation

導演、編劇

年期Active period

1909–2000

代表作Notable works

《黃飛鴻正傳上集之鞭風滅燭》《黃飛鴻》系列

獎項及榮譽Awards & honours

香港電影金紫荊獎終身成就獎(1999)

資料整理日期 / Compiled: 2026-09-12

權威檔 Authority record

一個人一個穩定代號(slug)同呢幾項別名,跨頁統一引用;外連指向同一人物的權威出處。

  • Wu Pang · name

    英文名

同一權威識別:https://en.wikipedia.org/wiki/Wu_Pang

主要成就 Key Achievements

1938

來港後執導首部影片《夜送寒衣》。

Came to Hong Kong and directed his first feature, Night Delivery of Winter Clothes.

1949

執導首部黃飛鴻電影《黃飛鴻正傳上集之鞭風滅燭》,開創系列。

Directed the first Wong Fei-hung film, launching the long-running series.

1999

獲第4屆香港電影金紫荊獎終身成就獎。

Received the Lifetime Achievement Award at the 4th Hong Kong Golden Bauhinia Awards.

影響與傳承 Impact & Legacy

繁體中文

胡鵬把黃飛鴻由舞台與民間傳說人物變成銀幕英雄,五十多部系列片確立了香港功夫片的敘事與類型雛形,影響往後幾代武打電影;他自1983年起長期擔任香港電影製片家協會主席。

English

Wu Pang turned Wong Fei-hung from a stage and folk figure into a screen hero; his fifty-odd instalments shaped the narrative and genre template of Hong Kong kung fu cinema and influenced several later generations of martial arts films, while he also long chaired the Hong Kong Motion Picture Producers Association from 1983.

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