繁體中文
趙崇基（Derek Chiu Sung-kee）為香港電影導演、編劇及監製，出身自電視圈。他於1987年中加入無綫電視任編導，1991年升為高級編導。他早年曾在電視台工作，1990年與衛翰韜為無綫電視執導劇集《香港蛙人》，其後亦為無綫執導《翻新大少》（又名《鴨寮街的金蛋》）及《無名天使3D》等劇集；他執導的《萬家傳說》第一集曾獲紐約國際電影電視節優異獎。轉向電影發展後，他執導的作品題材多元，包括1996年以警隊為題的《三個受傷的警察》、《二人三足》及都市喜劇《慳錢家族》（2002），以及2007年由馬來西亞與內地合製、講述孫中山在檳城籌劃革命的《夜·明》（Road to Dawn）；2000年的《天有眼》由杜琪峰監製，陳小春、陳錦鴻、譚耀文主演，以黑色幽默筆觸描寫城市罪案與小人物命運，他同時兼任編劇，該片並獲邀參展第五十一屆柏林國際電影節。2007年，他執導由劉德華、苗僑偉、陳奕迅等主演的《兄弟》，該片經鄭則仕向劉德華引薦而成事；2011年，他執導的《英雄喋血》獲中美電影節優秀電影「金天使獎」及澳門國際電影節最優秀電影大獎。2017年，他為黃進執導、講述躁鬱症患者與父親關係的《一念無明》擔任監製。2018年，他執導黑白劇情片《中英街1號》，由界石電影製作，全片分兩部分、分別以1967年事件與當代香港為背景，交錯描寫兩代年輕人的處境與選擇，影片入選大阪亞洲電影節競賽單元，並於同年5月在香港公映。他現為香港城市大學創意媒體學院助理教授。趙崇基的作品常關注社會邊緣人物與時代議題，並多由自己參與編劇，在香港導演之中風格鮮明。
English
Derek Chiu Sung-kee is a Hong Kong film director, screenwriter and producer who came out of television. He worked in TV early on, directing the TVB drama Hong Kong Frog Man in 1990 with Wai Hon-to, and later directed TVB series including Hidden Treasures (also known as Golden Egg of Apliu Street) and Angels of Mission. Moving into film, he directed a varied body of work including The Log (1996), And the Two Sides, The Miserable (2002) and Night and Dawn (2007), a Malaysia-China co-production about Sun Yat-sen's revolutionary work in Penang. His 2000 film Comeuppance, produced by Johnnie To and starring Jordan Chan, Sunny Chan and Patrick Tam, depicts urban crime and the fate of ordinary people with a streak of black humour, and he also wrote the screenplay. In 2007 he directed Brothers, starring Andy Lau, Michael Miu and Eason Chan, a project that came about after Kent Cheng introduced Chiu to Andy Lau. In 2017 he produced Wong Chun's Mad World, and in 2018 he directed the black-and-white drama No. 1 Chung Ying Street, which sets 1967 against contemporary Hong Kong and interweaves the predicaments and choices of two generations of young people; it was selected for competition at the Osaka Asian Film Festival and opened in Hong Kong in May that year. Chiu's films often focus on society's marginal figures and the issues of their times, and he frequently writes his own scripts, giving him a distinctive voice among Hong Kong directors.
