文化藝術人物 / Cultural figure

陳可辛

Peter Ho-Sun Chan

1980年代–現在

領域:藝術家 · 作家與觀點論述者

繁體中文

陳可辛1962年11月28日生於香港,父親陳銅民是泰國華僑,五十至六十年代在香港電影業工作,因發展不順而舉家遷回泰國,故他在泰國成長,其後赴美國升學,暑假返港時經父親引薦到嘉禾當暑期實習生。1986年,他協助吳宇森拍攝《英雄無淚》,正式踏入電影圈。1991年他監製並執導首部作品《雙城故事》,以清新手法刻畫友情,獲香港導演協會選為最佳影片。1992年他與李志毅、張之亮、曾志偉、鍾珍等人合組電影人製作有限公司(UFO),以都會愛情喜劇開拓新路線;1993年他與李志毅合導《風塵三俠》,1994年的《金枝玉葉》以樂壇為背景,叫好叫座。1996年的《甜蜜蜜》由黎明與張曼玉主演,講述兩名內地來港移民的離合,橫掃第十六屆香港電影金像獎九項大獎,包括最佳電影、最佳導演、最佳編劇與最佳女主角,創下當時紀錄,並奪第三十四屆金馬獎最佳劇情片,獲美國《時代周刊》選為年度十大電影之一。1999年的《心動》以愛情小品再獲好評,2002年他執導三段式恐怖片《三更》中的《回家》,並監製驚慄片《見鬼》。2000年代他北上發展,2005年的《如果·愛》由張學友、周迅與金城武主演,被譽為「中國四十年來首部大型歌舞片」,並為第六十二屆威尼斯影展閉幕影片,為他奪得第四十三屆金馬獎最佳導演;2007年的《投名狀》由李連杰、劉德華與金城武主演,為他贏得第二十七屆金像獎最佳電影與最佳導演,並奪得金馬獎最佳導演。2011年的《武俠》入圍康城影展午夜展映單元。2013年的《中國合夥人》由黃曉明、鄧超、佟大為主演,在內地取得約五億元票房,令他奪得第二十九屆中國電影金雞獎最佳導演,成為首位集齊台灣金馬獎、香港金像獎與內地金雞獎最佳導演大滿貫的華人導演。他其後拍成探討拐賣兒童的《親愛的》(2014,趙薇主演)及以中國女排為題的《奪冠》(2020,鞏俐主演),2022年憑《奪冠》入圍第四十屆金像獎最佳導演。他亦是多部電影的監製,除《十月圍城》奪得香港電影金像獎最佳電影外,還監製《七月與安生》(2016)及《喜歡你》(2017)等,扶植了不少新晉導演。2000年,他成立Applause Pictures,以泛亞洲合製模式出品《晚孃》(2001)、《春逝》(2001)、《見鬼》系列(2002)、《三更》系列、《金雞》系列(2002至03)及《春田花花同學會》(2006)等亞洲電影,推動跨地域的電影合作與資源整合,其後再成立我們製作(We Pictures)。他與女演員吳君如相戀多年,育有一名女兒。

English

Peter Chan, born in Hong Kong on 28 November 1962, is the son of Chan Tung Man, a Thai-Chinese who worked in the Hong Kong film industry in the 1950s and 1960s; when his father's career did not prosper the family returned to Thailand, so Chan grew up there. He went to the United States for university and, on a summer visit home, joined Golden Harvest as an intern through his father's connections. In 1986 he assisted John Woo on Heroes Shed No Tears and entered the film industry. He produced and directed his first feature, Alan and Eric: Between Hello and Goodbye, in 1991, a fresh portrait of friendship that the Hong Kong directors' guild named Best Film. In 1992 he co-founded the production company United Filmmakers Organisation (UFO) with Lee Chi-ngai, Jacob Cheung, Eric Tsang and Claudie Chung, opening a new path with urbane romantic comedies; he co-directed Tom, Dick and Hairy with Lee Chi-ngai in 1993, and He's a Woman, She's a Man (1994), set in the music industry, was a critical and commercial success. Comrades: Almost a Love Story (1996), starring Leon Lai and Maggie Cheung and telling of two mainland migrants in pre-handover Hong Kong, swept a then-record nine prizes at the 16th Hong Kong Film Awards — Best Film, Best Director, Best Screenplay and Best Actress among them — and won Best Feature at the 34th Golden Horse Awards; Time magazine named it one of its top ten films of the year. Tempting Heart (1999) was another well-received romance, and in 2002 he directed the Going Home segment of the three-part horror omnibus Three and produced the thriller The Eye. Moving north in the 2000s, his Perhaps Love (2005), starring Jacky Cheung, Zhou Xun and Takeshi Kaneshiro and billed as China's first large-scale musical in forty years, closed the 62nd Venice Film Festival and won him Best Director at the 43rd Golden Horse Awards; The Warlords (2007), starring Jet Li, Andy Lau and Takeshi Kaneshiro, won him Best Film and Best Director at the 27th Hong Kong Film Awards as well as the Golden Horse Award for Best Director, and his Wu Xia (2011) was selected for Cannes. American Dreams in China (2013), starring Huang Xiaoming, Deng Chao and Tong Dawei, took about 500 million yuan at the mainland box office and earned him Best Director at the 29th Golden Rooster Awards, making him the first Chinese filmmaker to take top directing honours at Taiwan's Golden Horse, the Hong Kong Film Awards and the mainland's Golden Rooster. He went on to direct the child-trafficking drama Dearest (2014), starring Zhao Wei, and Leap (2020), about the Chinese women's volleyball team and starring Gong Li, the latter bringing a Best Director nomination at the 40th Hong Kong Film Awards in 2022. As a producer he was behind Bodyguards and Assassins, which won Best Film at the Hong Kong Film Awards, and he also produced Soul Mate (2016) and This Is Not What I Expected (2017), nurturing younger directors. He has long been the partner of the actress Sandra Ng, with whom he has a daughter. In 2000 he founded Applause Pictures, producing pan-Asian films such as Jan Dara (2001), One Fine Spring Day (2001), the Eye series (2002), the Three series, the Golden Chicken series (2002-03) and McDull, the Alumni (2006), and he later set up We Pictures.

人物小檔 Profile

職業Occupation

導演、編劇、製片

年期Active period

1980年代–現在

代表作Notable works

《甜蜜蜜》《投名狀》《中國合夥人》《如果·愛》

獎項及榮譽Awards & honours

香港電影金像獎最佳導演(第16屆《甜蜜蜜》、第27屆《投名狀》)

資料整理日期 / Compiled: 2026-09-12

主要成就 Key Achievements

1996

《甜蜜蜜》橫掃第十六屆香港電影金像獎九項大獎,包括最佳導演。

Comrades: Almost a Love Story swept a record nine prizes at the 16th Hong Kong Film Awards, including Best Director.

2007

執導《投名狀》,翌年奪第二十七屆金像獎最佳電影及最佳導演。

Directed The Warlords, which won Best Film and Best Director at the 27th Hong Kong Film Awards the following year.

2013

憑《中國合夥人》奪第二十九屆中國電影金雞獎最佳導演,完成兩岸三地大滿貫。

Won Best Director at the 29th Golden Rooster Awards for American Dreams in China, completing a grand slam across the three Chinese-language film awards.

影響與傳承 Impact & Legacy

繁體中文

陳可辛以UFO開創都會愛情喜劇,再以《甜蜜蜜》《投名狀》《中國合夥人》打通中港合拍片的類型版圖。他先後在台灣金馬獎、香港金像獎及內地金雞獎奪得最佳導演,是首位完成三地大滿貫的華人導演。他監製的《十月圍城》《七月與安生》等片亦為華語商業電影樹立製作標準,並扶植新晉導演。他的作品長期關注移民、愛情與時代變遷,成為觀察香港與內地社會的窗口。

English

Peter Chan founded UFO and pioneered urbane romantic comedy before widening the map of mainland-Hong Kong co-productions through Comrades: Almost a Love Story, The Warlords and American Dreams in China. By winning top directing prizes at Taiwan's Golden Horse, the Hong Kong Film Awards and the mainland's Golden Rooster, he became the first Chinese filmmaker to complete that grand slam. His producing work, including Bodyguards and Assassins and Soul Mate, also set production standards for Chinese commercial cinema and nurtured younger directors. His films consistently explore migration, love and social change, offering a window onto Hong Kong and mainland society.

同類人物 Same category

仲有 763 位同界別人物未列出;睇晒 文化藝術人物 全部名單 →

資料來源 Sources

← 返回人物目錄

↑