文化藝術人物 / Cultural figure

陳梓桓

Chan Tze-woon

2013年至今

領域:藝術家

繁體中文

陳梓桓(Chan Tze-woon),1989年出生,香港獨立紀錄片導演,作品多以香港社會運動與歷史記憶為題材。他畢業於香港浸會大學電影電視與數碼媒體藝術製作課程。2013年的畢業作品《香港人不知道的》以偽紀錄片形式,假設政府暗中在食水加入鎮靜劑,探討香港市民的政治冷感與對權威的盲從;2014年的《作為雨水:表象及意志》則假設政府以人造雨影響遊行,拍攝期間經歷「622公投」及七一遊行等事件。畢業後他遇上雨傘運動,在歷時七十九日的佔領中沿途跟拍參與者,把運動過程記錄下來。首部長片《亂世備忘》(2016)以雨傘運動為題,用第一人稱視角描繪參與者的經歷與反思,入圍第五十三屆金馬獎最佳紀錄片,並在日本山形國際紀錄片影展奪得最高榮譽小川紳介獎;該片大量採用他在佔領現場拍攝的第一手素材,剪接成近距離的個人觀察。2017年他開始籌拍《憂鬱之島》,至2022年完成,該片以紀錄與重演交錯,訪問不同世代的抗爭者,探討其身分與記憶,入選鹿特丹國際電影節,並獲台灣國際紀錄片影展亞洲視野競賽評審團特別獎、再見真實獎首獎及觀眾票選獎,以及加拿大Hot Docs國際紀錄片影展最佳國際紀錄片,另獲金馬獎最佳紀錄片與亞太電影大獎最佳紀錄片提名。《憂鬱之島》以重演方式再現香港不同年代的抗爭片段,與受訪者的當下生活互相對照;他也曾在影展及紀錄片工作坊分享獨立製作的經驗。他持續以獨立製作方式拍攝,題材緊扣香港的社會變遷。

English

Chan Tze-woon, born in 1989, is a Hong Kong independent documentary filmmaker whose subjects are mostly the city's social movements and historical memory. He studied film and television production at Hong Kong Baptist University. His 2013 graduation work was a mockumentary imagining the government sedating the public through the water supply to probe political apathy and deference to authority, and a 2014 short imagined official cloud-seeding to affect a march, shot around that year's referendum and July 1 march. Soon after graduating he followed participants through the 79-day Umbrella Movement, recording the occupation as it unfolded. His first feature, Yellowing (2016), took the movement as its subject and, narrated in the first person, portrayed participants' experiences and reflections; it was nominated for best documentary at the 53rd Golden Horse Awards and won the top Ogawa Shinsuke Prize at the Yamagata International Documentary Film Festival in Japan. He began developing Blue Island in 2017 and completed it in 2022; mixing documentary and fiction and interviewing protesters of different generations about identity and memory, it was selected for the International Film Festival Rotterdam and won the Special Jury Prize in the Asian Vision competition, the Visionary Award Grand Prize and the Audience Award at the Taiwan International Documentary Festival, and the best international feature documentary award at Hot Docs in Canada, as well as Golden Horse and Asia Pacific Screen Award nominations. He continues to work independently, his subjects bound closely to Hong Kong's social change.

人物小檔 Profile

職業Occupation

紀錄片導演

年期Active period

2013年至今

代表作Notable works

《亂世備忘》《憂鬱之島》

獎項及榮譽Awards & honours

日本山形國際紀錄片影展小川紳介獎(《亂世備忘》);台灣國際紀錄片影展再見真實獎首獎(《憂鬱之島》)

資料整理日期 / Compiled: 2026-09-12

主要成就 Key Achievements

2013

完成畢業作品《香港人不知道的》

Completed his graduation work, a mockumentary on political apathy

2016

《亂世備忘》獲山形國際紀錄片影展小川紳介獎,並入圍金馬獎最佳紀錄片

Yellowing won the Ogawa Shinsuke Prize at Yamagata and a Golden Horse nomination

2022

《憂鬱之島》獲台灣國際紀錄片影展再見真實獎首獎及Hot Docs最佳國際紀錄片

Blue Island won the Visionary Award Grand Prize and the Hot Docs best international documentary award

影響與傳承 Impact & Legacy

繁體中文

陳梓桓以《亂世備忘》與《憂鬱之島》把香港的社會運動與歷史記憶帶上國際紀錄片舞台,兩片分別奪得山形影展小川紳介獎與台灣國際紀錄片影展再見真實獎首獎,並兩度入圍金馬獎最佳紀錄片,讓香港年輕世代的故事在亞洲及歐美影展流通。

English

Through Yellowing and Blue Island, Chan carried Hong Kong's social movements and historical memory onto the international documentary stage; the two films won the Ogawa Shinsuke Prize at Yamagata and the Visionary Award Grand Prize in Taiwan, and both were nominated for the Golden Horse best documentary, circulating the stories of a young generation across Asian, European and North American festivals.

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