文化藝術人物 / Cultural figure

陶秦

Tao Qin

1943年–1969年

領域:藝術家 · 作家與觀點論述者

繁體中文

陶秦(Doe Ching),1915年出世,本名秦復基,浙江慈谿人,上海聖約翰大學中國文學系畢業。佢課餘時做翻譯,畢業後為戲院翻譯影片說明書,又曾把西片改編成話劇《香箋淚》。1941年日軍佔領上海租界,佢喺1942年加入製片家張善琨組織嘅中華聯合製片公司(中聯/華影)任編劇,寫咗《蝴蝶夫人》(1942)、《桃李爭春》(1943)、《莫忘今宵》(1945)等劇本。抗戰勝利後繼續任編劇,劇本包括上海攝製嘅歌舞片《鶯飛人間》(1946)同香港攝製嘅文藝片《未出嫁的媽媽》(1949)。 張善琨創辦長城公司,陶秦即加入,為創業作《蕩婦心》(1949)寫劇本。長城改組後佢留任編劇,並開始執導,拍咗《一家春》(1952)、《兒女經》(1953)同《枇杷巷》(1953)。1952年佢離開長城加入邵氏製片廠,執導尤敏、趙雷合演嘅《人鬼戀》(1954)。1956年轉入國際電影懋業(電懋)嘅前身國際公司,共執導十二部片,名作包括奪第五屆亞洲影展最佳影片獎嘅《四千金》(1957)、林黛同陳厚主演嘅瘋狂喜劇《提防小手》(1958),以及奪第六屆亞洲影展最佳音樂獎嘅《龍翔鳳舞》(1959)。 1958年佢簽約重返邵氏,地位尊崇,執導接近二十部片並屢獲獎項。佢以文藝片最為知名:林黛主演嘅《不了情》(1961)係香港愛情文藝悲劇代表作,主題曲傳唱不衰,獲第九屆亞洲影展五個獎項;林黛遺作《藍與黑》(1966)以抗戰為背景,獲第十三屆亞洲影展最佳影片獎。佢嘅歌舞片如《千嬌百媚》(1961)、《花團錦簇》(1963)、《萬花迎春》(1964)亦十分賣座,其中《千嬌百媚》為佢奪得第一屆台灣金馬獎最佳導演。後期名作有改編自瓊瑤同名小說嘅《船》(1967)。1969年,佢執導最後一部片《陰陽刀》,中途因病由好友岳楓代為完成,同年5月16日因胃癌逝世。佢畢生執導約五十部電影。

English

Tao Qin, whose real name was Qin Fuji, was born in 1915 in Cixi, Zhejiang, and graduated in Chinese literature from St John's University in Shanghai. He translated for cinemas in his spare time, later writing programme notes for picture houses and adapting a foreign film into the stage play Fragrant Letter of Tears. After Japanese forces occupied the Shanghai concessions in 1941, he joined the producer Zhang Shankun's United China Film Company (Zhonglian/Huaying) as a screenwriter in 1942, writing scripts including Madame Butterfly (1942), Peach and Plum in Spring (1943) and Don't Forget Tonight (1945). He continued writing after the war, for the Shanghai musical Orioles Flying in the World (1946) and the Hong Kong melodrama Unmarried Mother (1949). When Zhang Shankun founded Great Wall, Tao joined to script its first production, The Wanton Woman (1949). He stayed on after the studio's reorganisation and began directing, making Father Marries Again (1952), Aren't the Kids Lovely? (1953) and Night and Every Night (1953). He left Great Wall in 1952 for the Shaw studio, where he directed Beyond the Grave (1954), and from 1956 worked for the International company that became MP&GI (Cathay), making twelve films there, among them Our Sister Hedy (1957), which won Best Picture at the 5th Asian Film Festival. Re-signing with Shaw Brothers in 1958, he became a senior figure and directed nearly twenty films, winning awards repeatedly. Best known for melodrama, he made Love Without End (1961), a landmark Hong Kong romantic tragedy whose theme song endures, and The Blue and the Black (1966), which took Best Picture at the 13th Asian Film Festival. His musicals, including Les Belles (1961), which won him Best Director at the 1st Golden Horse Awards, were also popular. He began his last film, a wuxia picture, in 1969 but died of stomach cancer on 16 May that year before completing it, and it was finished by his friend Yueh Feng. He directed about fifty films in all.

人物小檔 Profile

職業Occupation

導演、編劇

年期Active period

1943年–1969年

代表作Notable works

《千嬌百媚》《藍與黑》《四千金》

獎項及榮譽Awards & honours

第1屆台灣金馬獎最佳導演(《千嬌百媚》,1961);第5屆亞洲電影節最佳影片(《四千金》,1957);第13屆亞洲電影節最佳影片(《藍與黑》,1966)

資料整理日期 / Compiled: 2026-09-12

權威檔 Authority record

一個人一個穩定代號(slug)同呢幾項別名,跨頁統一引用;外連指向同一人物的權威出處。

  • 秦復基 / Qin Fuji · name

    本名

  • Doe Ching · name

    英文名

主要成就 Key Achievements

1942

加入中華聯合製片公司任編劇,為中聯/華影編寫《蝴蝶夫人》等電影劇本。

Joined the United China Film Company as a screenwriter, writing scripts such as Madame Butterfly for the Zhonglian/Huaying studio.

1957

《四千金》奪第5屆亞洲電影節最佳影片獎。

Our Sister Hedy won Best Picture at the 5th Asian Film Festival.

1961

憑《千嬌百媚》奪第1屆台灣金馬獎最佳導演。

Won Best Director at the 1st Golden Horse Awards for Les Belles.

影響與傳承 Impact & Legacy

繁體中文

陶秦係五、六十年代香港國語片嘅重要導演同編劇,先後喺邵氏同電懋兩大體系拍出代表作;佢既寫文藝悲劇《不了情》,又拍賣座歌舞片《千嬌百媚》,後者為佢奪得首屆金馬獎最佳導演,《藍與黑》更奪亞洲影展最佳影片,對香港國語片嘅類型發展影響深遠。

English

Tao Qin was a major director and screenwriter of Hong Kong Mandarin cinema in the 1950s and 1960s, producing signature works for both Shaw and Cathay; the musical The Fair Sex won him Best Director at the first Golden Horse Awards. Skilled in urban melodrama and musicals, his films had a lasting influence on the development of Mandarin-language genres in Hong Kong.

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