文化藝術人物 / Cultural figure

韋家輝

Wai Ka-fai

1962年生;1990年代至今

領域:藝術家 · 作家與觀點論述者

繁體中文

韋家輝(Wai Ka-fai),1962年9月21日在香港出生,香港編劇、導演及監製,銀河映像的代表性人物。他在香港島華富邨長大,有一姊一弟一妹,胞弟是無綫電視演員韋家雄,胞妹是ViuTV節目監製韋家華;父母在他十歲時離異,家境一度陷入困頓,曾寄居土瓜灣舅父家,後獲分配徙置區單位。他中五畢業後曾任收銀兼看更,1981年看到電視台招聘編劇的廣告而應徵入職無綫電視,受訓未滿便獲安排跟隨《上海灘》編劇梁建璋創作《飛越十八層》(1982),其後參與改編《神鵰俠侶》(1983)及《鹿鼎記》(1984)等劇。他1985年升任助理創作主任,編審《新紮師兄續集》《流氓大亨》《誓不低頭》等,兩年後升任監製;1990年他與任達華、黃日華、司徒錦源等轉投亞洲電視,監製《還看今朝》《暴雨燃燒》,1992年回歸無綫,寫出《義不容情》及四十集台慶劇《大時代》,以家族與股市的宿命題材轟動一時。1995年,他首次執導電影《和平飯店》;1996年與杜琪峯創立銀河映像,首部作品《一個字頭的誕生》(1997)已顯露其多重時序的敘事實驗。其後他與杜琪峯合導《鍾無艷》《我左眼見到鬼》《大隻佬》及《神探》,並監製《孤男寡女》(2000)、《瘦身男女》(2001)等片。2003年,他憑《大隻佬》奪得第23屆香港電影金像獎最佳電影及最佳編劇;2007年的《神探》再奪第27屆最佳編劇。2022年,他自編自導《神探大戰》,在2023年第41屆香港電影金像獎奪得最佳導演及最佳編劇。他先後三度奪得香港電影金像獎最佳編劇,並七度獲香港電影評論學會大獎最佳編劇。

English

Wai Ka-fai was born in Hong Kong on 21 September 1962 and is a screenwriter, director and producer, a defining figure of Milkyway Image. He grew up in Wah Fu Estate on Hong Kong Island, one of four siblings, his younger brother the TVB actor Wai Ka-hung and his younger sister the ViuTV producer Wai Ka-wa; his parents divorced when he was ten, leaving the family in straitened circumstances and at one point lodging with an uncle. After secondary school he worked as a cashier and watchman, and in 1981 answered a television advertisement for writers to join TVB, working under Leung Kin-cheung on The Flying Eighteen (1982) before the training course ended, and later on adaptations of The Return of the Condor Heroes (1983) and The Duke of Mount Deer (1984). Promoted to assistant creative director in 1985, he edited series such as the New Heavenly Sword and Dragon Sabre sequels and Looking Back in Anger, and became a producer two years later; in 1990 he moved with Simon Yam, Felix Wong and Szeto Kam-yuen to ATV, and returning to TVB in 1992 wrote the anniversary drama The Greed of Man, which caused a sensation with its fatalistic story of family and the stock market. He directed his first film, Peace Hotel, in 1995 and formed Milkyway Image with Johnnie To in 1996; their first release, Too Many Ways to Be No. 1 (1997), already revealed his experiments with multiple timelines. He co-directed Wu Yen, My Left Eye Sees Ghosts, Running on Karma and Mad Detective with To, and produced Needing You (2000) and Love on a Diet (2001). In 2003 his film Running on Karma won Best Film and Best Screenplay at the 23rd Hong Kong Film Awards, and Mad Detective (2007) took Best Screenplay at the 27th. In 2022 he wrote and directed Detective vs. Sleuths, which swept Best Director and Best Screenplay at the 41st Hong Kong Film Awards in 2023. Wai has won the Hong Kong Film Award for Best Screenplay three times and the Hong Kong Film Critics Society Award for Best Screenplay seven times.

人物小檔 Profile

職業Occupation

導演、編劇、監製

年期Active period

1962年生;1990年代至今

代表作Notable works

《大隻佬》《神探》《神探大戰》

獎項及榮譽Awards & honours

香港電影金像獎最佳編劇(第23屆《大隻佬》、第27屆《神探》、第41屆《神探大戰》)、最佳導演(第41屆《神探大戰》)

資料整理日期 / Compiled: 2026-09-12

主要成就 Key Achievements

2003

憑《大隻佬》奪第23屆香港電影金像獎最佳電影及最佳編劇。

Won Best Film and Best Screenplay at the 23rd Hong Kong Film Awards for Running on Karma.

2007

與杜琪峯合導《神探》,奪第27屆香港電影金像獎最佳編劇。

Co-directed Mad Detective, which won Best Screenplay at the 27th Hong Kong Film Awards.

2022

自編自導《神探大戰》,於第41屆香港電影金像獎奪最佳導演及最佳編劇。

Wrote and directed Detective vs. Sleuths, winning Best Director and Best Screenplay at the 41st Hong Kong Film Awards.

影響與傳承 Impact & Legacy

繁體中文

韋家輝與杜琪峯合組的銀河映像,憑《一個字頭的誕生》(1997)和《神探》(2007)等片,將多重時序與宿命命題引入香港犯罪片;他憑《大隻佬》《神探》《神探大戰》三度奪得香港電影金像獎最佳編劇。

English

Through Milkyway Image, formed with Johnnie To, Wai brought multiple timelines and fatalistic themes to Hong Kong crime cinema in films such as Too Many Ways to Be No. 1 (1997) and Mad Detective (2007); he has won the Hong Kong Film Award for Best Screenplay three times, for Running on Karma, Mad Detective and Detective vs. Sleuths.

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