文化藝術人物 / Cultural figure

鮑起鳴

Clifford Pau Kai-ming

1980年代–2010年代

領域:藝術家 · 作家與觀點論述者

繁體中文

鮑起鳴(後改名鮑德熹,Peter Pau),1952年6月2日喺香港出世,係香港電影攝影師、監製同導演。佢出身演藝世家:爸爸鮑方係演員兼粵劇工作者,出道作係《國魂》,媽媽劉蘇係話劇演員,家姐鮑起靜後來憑《天水圍的日與夜》奪得香港電影金像獎最佳女主角。佢自細跟家人出入片場,但選擇企喺攝影機後面。約二十七歲時,佢去美國進修電影,返港後由助理攝影做起,逐步晉升為攝影指導,1980至90年代活躍於香港影壇。1992年,佢憑《九一神鵰俠侶》攞到第十一屆香港電影金像獎最佳攝影;1993年為張國榮、林青霞主演嘅《白髮魔女傳》掌鏡,翌年再奪第十三屆香港電影金像獎最佳攝影,並獲台灣金馬獎提名。2000年,佢為李安嘅《臥虎藏龍》擔任攝影指導,2001年憑此片同時奪得第二十屆香港電影金像獎最佳攝影同第七十三屆奧斯卡金像獎最佳攝影,成為首位奪得奧斯卡最佳攝影嘅華人攝影師,亦係至今唯一一位,同屆並獲英國電影學院獎(BAFTA)最佳攝影提名。片中竹林比劍同大漠追逐嘅場面,以長鏡同自然光營造出東方武俠意境。2002年,佢首次執導《天脈傳奇》,由楊紫瓊主演,把荷里活式製作同國際發行嘅經驗帶返華語片。2005年,佢為陳可辛《如果·愛》任攝影,同杜可風一齊奪得第二十五屆香港電影金像獎最佳攝影、第四十三屆台灣金馬獎最佳攝影同第八屆長春電影節最佳攝影。佢憑《臥虎藏龍》同屆獲提名第三十七屆台灣金馬獎最佳攝影。佢亦曾講過,香港電影業喺有限預算同製作時間下成長,令佢哋學識精準工作。此後佢繼續喺中港兩地擔任攝影指導同監製工作。

English

Pau Kai-ming, who later took the name Peter Pau, was born in Hong Kong on 2 June 1952 and became one of the territory's foremost cinematographers, as well as a producer and director. He came from an acting family: his father Pao Fong was an actor and Cantonese opera performer, his mother Liu Su a stage actress, and his elder sister Nina Paw later won Best Actress at the Hong Kong Film Awards for The Way We Are. As a boy he accompanied his family onto film sets but chose to work behind the camera. At about twenty-seven he went to the United States to study film, and on his return worked his way up from camera assistant to director of photography, active in Hong Kong cinema through the 1980s and 1990s. In 1992 he won Best Cinematography at the 11th Hong Kong Film Awards for Saviour of the Soul. In 1993 he shot The Bride with White Hair, starring Leslie Cheung and Brigitte Lin, taking Best Cinematography again at the 13th Hong Kong Film Awards and a Golden Horse nomination. In 2000 he was cinematographer on Ang Lee's Crouching Tiger, Hidden Dragon, and in 2001 won both the 20th Hong Kong Film Award and the 73rd Academy Award for Best Cinematography, becoming the first Chinese cinematographer to win the Oscar and still the only one; he was also nominated for a BAFTA that year. In 2002 he made his directorial debut with The Touch, starring Michelle Yeoh, bringing Hollywood-style production and international distribution experience to Chinese-language cinema. In 2005 he photographed Peter Chan's Perhaps Love, sharing Best Cinematography at the 25th Hong Kong Film Awards with Christopher Doyle, and also winning at the 43rd Golden Horse Awards and the 8th Changchun Film Festival. He has continued to work as a cinematographer and producer in Hong Kong and mainland China.

人物小檔 Profile

職業Occupation

導演、編劇

年期Active period

1980年代–2010年代

代表作Notable works

《白髮魔女傳》《九一神鵰俠侶》《臥虎藏龍》《如果·愛》

獎項及榮譽Awards & honours

第七十三屆奧斯卡金像獎最佳攝影(《臥虎藏龍》,2001);第十一、十三、二十、二十五屆香港電影金像獎最佳攝影

資料整理日期 / Compiled: 2026-09-12

主要成就 Key Achievements

1992

憑《九一神鵰俠侶》獲第11屆香港電影金像獎最佳攝影

Won Best Cinematography at the 11th Hong Kong Film Awards for Saviour of the Soul

1994

憑《白髮魔女傳》獲第13屆香港電影金像獎最佳攝影

Won Best Cinematography at the 13th Hong Kong Film Awards for The Bride with White Hair

2001

憑《臥虎藏龍》奪第73屆奧斯卡最佳攝影,為首位華人得主

Won the 73rd Academy Award for Best Cinematography for Crouching Tiger, Hidden Dragon, the first Chinese winner

2006

憑《如果·愛》獲第25屆香港電影金像獎最佳攝影

Won Best Cinematography at the 25th Hong Kong Film Awards for Perhaps Love

影響與傳承 Impact & Legacy

繁體中文

鮑德熹憑《臥虎藏龍》奪得奧斯卡最佳攝影,係華人攝影師喺國際影壇嘅里程碑;片中竹林同大漠場面嘅構圖光影,被視為千禧年代華語武俠片視覺語言嘅代表作。佢其後執導《天脈傳奇》並參與《如果·愛》,證明香港出身嘅攝影師可以立足國際級製作。

English

By winning the Academy Award for Best Cinematography for Crouching Tiger, Hidden Dragon, Pau became a landmark figure for Chinese cinematographers on the world stage, and the film's bamboo-grove and desert imagery helped define the visual language of Chinese-language martial-arts cinema in the new millennium.

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