文化藝術人物 / Cultural figure

黎大煒

David Lai Tai-wai

1982年–2006年

領域:藝術家 · 作家與觀點論述者

繁體中文

黎大煒(David Lai Tai-wai),1952年10月出世,中學畢業後投身電視圈,最初喺麗的電視做編導,係監製麥當雄當年嘅得力助手。1977年,佢參與劇集《大丈夫》嘅助理編導工作,跟麥當雄學識咗點樣用劇集講貼地嘅社會故事,到1979年已參與過幾十部電視劇嘅製作。1981年,佢離開電視台,同劉鎮偉、元奎合組影藝創庫,轉戰電影。1982年,佢執導《靚妹仔》,由麥當雄監製、文雋編劇,搵嚟一班冇演戲經驗嘅素人少女擔正,講邊緣少女吸毒、離家出走嘅墮落故事,赤裸咁揭示當時社會嘅陰暗面;戲中大部分演員都係街頭搵返嚟嘅素人,拍法近乎紀錄片。電影成為香港新浪潮代表作之一,票房高達一千零三十幾萬港元,並喺第2屆香港電影金像獎獲最佳電影、最佳導演、最佳編劇等多項提名,女主角林碧琪亦憑此片封后,溫碧霞亦由此冒起。《靚妹仔》嘅成功,令佢成為八十年代初最受注目嘅新導演之一,往後作品多由真實社會新聞取材。1987年,佢加入寶禾電影做製作控制策劃主任;1991年,劉德華創辦天幕製作公司,黎大煒以董事身份主力統籌製作同策劃,參與多部商業片嘅前期開發,唔再經常親自執導。2006年,佢為《生死格鬥》(DOA: Dead or Alive)出任執行監製,之後移居加拿大,淡出香港影圈。佢嘅作品以寫實風格見稱,擅長捕捉青少年同社會邊緣人物嘅處境,鏡頭樸素直接,好少用花巧技巧;佢私下喜好繪畫同攝影,對畫面構圖有一定要求。

English

David Lai Tai-wai was born in October 1952. After secondary school he entered television, starting as a director at RTV and becoming a key assistant to the producer Johnny Mak. In 1977 he worked as an assistant director on the series 'Big Man', learning from Mak how to tell grounded social stories on screen, and by 1979 he had been involved in dozens of television dramas. In 1981 he left television and formed the production outfit Ying Ngai with the producer Jeffrey Lau and the action director Corey Yuen, moving into film. In 1982 he directed 'Lonely Fifteen', produced by Johnny Mak and written by Manfred Wong, casting a group of non-professional teenage girls in a story of young women sliding into drug abuse and running away from home that laid bare the darker side of society; most of the cast were amateurs found on the street and the filming was almost documentary in style. It became a landmark of the Hong Kong New Wave, took more than ten million Hong Kong dollars at the box office, and was nominated for Best Film, Best Director and Best Screenplay at the 2nd Hong Kong Film Awards, with the newcomer Lin Bik-kei winning Best Actress and Irene Wan also emerging from it. In 1987 he became head of production planning at Bo Ho Films and in 1991 a director of the Tianmu production company, working mainly as a producer and planner rather than directing himself. In 2006 he served as executive producer on 'DOA: Dead or Alive', after which he emigrated to Canada and withdrew from the Hong Kong film scene. His films are known for their realist style and their focus on the situation of young people and social outcasts, filmed plainly and without showy technique.

人物小檔 Profile

職業Occupation

導演、編劇

年期Active period

1982年–2006年

代表作Notable works

《靚妹仔》《生死格鬥》(執行監製)

獎項及榮譽Awards & honours

第2屆香港電影金像獎最佳電影及最佳導演提名(《靚妹仔》,1983)

資料整理日期 / Compiled: 2026-09-12

主要成就 Key Achievements

1977

參與麗的電視劇集《大丈夫》的助理編導工作

Worked as an assistant director on RTV's drama series 'Big Man'

1982

執導《靚妹仔》,獲第2屆香港電影金像獎最佳電影及最佳導演提名

Directed 'Lonely Fifteen', nominated for Best Film and Best Director at the 2nd Hong Kong Film Awards

2006

為《生死格鬥》出任執行監製

Served as executive producer on 'DOA: Dead or Alive'

影響與傳承 Impact & Legacy

繁體中文

黎大煒係香港新浪潮嘅代表人物之一,《靚妹仔》大膽起用素人少女、直寫邊緣青少年問題,開創咗本地寫實青春片嘅路線,亦令麥當雄嘅社會寫實美學由電視延伸到大銀幕。此後佢轉向製片策劃,長期喺幕後支援香港電影工業,並提攜過一批新人。

English

David Lai is one of the key figures of the Hong Kong New Wave. 'Lonely Fifteen' boldly cast non-professional girls and dealt directly with marginal youth, opening a path for local realist youth films and carrying Johnny Mak's social-realist approach from television to the big screen. He later moved into producing and planning, supporting the Hong Kong film industry from behind the scenes and helping bring on new talent.

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