張艾嘉

繁體中文

張艾嘉1953年生，前稱張愛嘉，係臺灣女演員、編劇、導演、歌手，曾任第6屆臺北金馬影展執行委員會主席（2014年至2018年）、香港電影發展局非官方委員（2019年4月1日至2025年3月31日）。佢兩次榮獲香港電影金像獎最佳女主角，三次榮獲金馬獎最佳女主角，2018年成為亞洲電影大獎最佳女主角和終身成就獎得主，2021年榮獲第22屆國家文藝獎。張艾嘉出生於臺灣嘉義市，童年於嘉義縣大林社團新村度過，籍貫山西省五臺縣豆村；其父張文莊為中華民國空軍軍官，1955年2月19日駕駛C-47型機在新竹撞山罹難，年僅31歲，其時張艾嘉只有1歲大，身後留下一妻二女。其外公魏景蒙曾任中國廣播公司總經理、中華民國第六任新聞局長、中央通訊社社長等職，蔣光超為其表舅。張艾嘉曾跟著母親去美國定居和接受教育，又曾入讀臺北市私立再興小學；12歲時移居香港九龍城，入讀新法書院小學部五年級，後來到了美國紐約就學，15歲回台灣入讀新北市私立聖心女子高級中學及台北美國學校。佢16歲成為電台DJ，踏入台灣娛樂圈，17歲當上歌手和主持，七十年代以歌手同演員身份走紅，主演《最佳拍檔》系列紅遍香港，其後執導《最愛》、《心動》、《20 30 40》等作品，以細膩筆觸描寫女性情感，並長期支持兩岸三地年輕導演。

English

Sylvia Chang, born in 1953 and formerly known as Chang Ai-chia, is a Taiwanese actress, screenwriter, director and singer who chaired the Taipei Golden Horse Film Festival executive committee from 2014 to 2018 and served as a non-official member of the Hong Kong Film Development Council from 2019 to 2025. She has twice won best actress at the Hong Kong Film Awards and three times at the Golden Horse Awards, took both best actress and a lifetime achievement honour at the Asian Film Awards in 2018, and received a national award for arts in 2021. She was born in Chiayi, Taiwan, and spent her childhood in a military dependants' village there; her family roots lie in Wutai county, Shanxi. Her father, an air force officer, was killed aged thirty-one when his transport plane crashed into a mountain in Hsinchu in February 1955, leaving a wife and two daughters — Sylvia was then barely a year old. Her maternal grandfather had headed the Broadcasting Corporation of China, served as government information chief and led the Central News Agency, and a noted comedian was her cousin-uncle. She lived briefly in the United States with her mother as a child and attended a private primary school in Taipei; at twelve she moved to Kowloon City in Hong Kong, later studying in New York and returning to Taiwan at fifteen for secondary school. A radio DJ at sixteen and a singer and host at seventeen, she became famous in the 1970s as a singer and actress and starred in the Aces Go Places series for Hong Kong audiences. She turned to directing in the 1980s, winning her first Golden Horse best actress award with her debut, and continued with delicately observed portraits of women while championing young filmmakers across the Chinese-speaking world.