陳梓桓

繁體中文

陳梓桓1989年生，係香港獨立紀錄片導演，作品聚焦香港社會運動與歷史記憶，透過影像記錄時代變遷同參與者嘅心路歷程，著名作品有《亂世備忘》、《憂鬱之島》等。佢2013年畢業於香港浸會大學電影學院，畢業作品《香港人不知道的》採用偽紀錄片形式，假設政府暗中在食水中添加鎮靜劑，探討香港市民嘅政治冷感同對權威嘅盲信；2014年作品《作為雨水：表象及意志》則假設政府以人造雨影響市民遊行，拍攝期間經歷622公投、七一遊行等關鍵時刻。畢業後佢很快遇上雨傘運動，在歷時97日嘅運動中一路跟拍參與者；首部長篇紀錄片《亂世備忘》以該運動為題，以第一人稱視角深入描繪參與者嘅經歷與反思，獲金馬獎最佳紀錄片提名，並於日本山形國際紀錄片影展奪得最高榮譽「小川紳介獎」。2017年佢開始籌拍《憂鬱之島》，結合紀實與劇情元素探討不同世代嘅抗爭經歷，作品獲台灣國際紀錄片影展再見真實獎，並再次獲金馬獎最佳紀錄片提名。

English

Chan Tze-woon, born in 1989, is an independent Hong Kong documentary director whose work focuses on social movements and historical memory, tracing how times changed and how participants reflected on them; his best-known titles are a 2016 debut and a 2022 follow-up. Graduating from Hong Kong Baptist University's film school in 2013, he made a mockumentary for his graduation project that imagined the government secretly sedating the public through the water supply in order to examine political apathy and deference to authority. A 2014 short imagined official cloud-seeding to affect a march and was shot around key political moments that year. Soon after graduating he followed participants through 97 days of the Umbrella Movement, and his first feature-length documentary about it — narrated in the first person — was nominated for best documentary at the Golden Horse Awards and won the top prize at the Yamagata International Documentary Film Festival in Japan. He began his second feature in 2017, mixing documentary and fiction to examine protest across generations; it won a prize at the Taiwan International Documentary Festival and another Golden Horse nomination.